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series: the good stuff

Things I think about in the middle of the night:

  1. What was that noise outside?
  2. What are the best ten to twenty best, time-tested lessons for middle and high school students?

The noise was nothing. Probably just a small monster or trashcan panda. The best lessons, now that’s something else.

The first post in this series is something new: Bob Probst of Beers/Probst renown gave us teachers this gift:

It’s a dialogue booklet that helps students move through a text with purpose. I haven’t vetted it yet, but it holds much promise.

 

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’tis the season: December Ideas

Two Writing Teachers posted:

Narrative Writing Makes a Beautiful Gift

Writing is a gift–and perhaps if students of writing see themselves, their words, as gifts to themselves and others we can reshape how they feel about writing (which isn’t always positive).

My favorite December idea:

Drabble-A-Day

Creative constraints provide necessary restrictions for all of us who wish to create productively. It may seem counter-intuitive, but creative constraints produce better focus and creativity, not less.

Drabble A Day Writer Portfolio Document: (click for Google Doc)

Using Signposts:

https://docs.google.com/document/d/1ohdgdQm4siMObbeEOsaO9hhuV9iVTCyQqu5Dm02EJ0I/edit?usp=sharing

Going to freshen this up today, too: http://lookupwriting.edublogs.org/

 

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How to survive a bear attack.

bear-attack

Your neck tingles. You feel the hot breath, tinted with salmon bones and gooseberries, mingle in your cheaply-shampooed hair; feeling unprotected, vulnerable, and instinctually aware, you know someone just played the research card, and it feels like a bear attack–wild, demobilizing and terrifying. How do you survive?

Remember that word ‘collaboration’ we’re so fond of? Well, this is where it’s put to the test. When our personalities and teaching styles clash with others, and deductive reasoning paints us in a pedagogical corner, we’re left with few other options than to go to the research well and find other credible experts who support our own teacher-action research and experience. Sometimes it seems our own knowledge and experience aren’t worth the certificate paper it’s printed on. Conversely, when we are convinced of our methods, so sure that our approaches are the best and right, we do so at our peril and ignore a balanced approach. In other words, we’re all trying to do our best, but what if others don’t see our best as credible? 

The specific controversy is about independent reading time. There are hundreds more in education. Here are the links to the authors: 

Strategic, solid teachers are constantly striving to hone their craft, and honor their own life experience. Shanahan argues that independent reading time is a waste of time. I claim trying to make teachers into robotic close-reading drones is worse. Far, far worse. 

After reading the key points, I condensed these ideas:

  • Asking anyone to sit for twenty minutes with a book/text of their choice and independent reading level feels hollow and difficult. If you use it for babysitting time while you check e-mails, etc. students quickly grasp the hypocrisy. When they read, you read.
  • Go back to Nancie Atwell’s In the Middle
  • Make your shared text time as meaningful and enlightening as possible in order for students to return to their independent reading time armed with confidence and courage. This is THEIR time, their passion, which leads me to the next point:
  • Get to the heart of what’s stopping them–themselves. If they haven’t found what sparks their curiosity, there’s some work to be done. Use a burning questions approach and return to one’s inner world of what’s on their minds.
  • And yes, more time reading is good. This has been decades-long repeated research. 

And ELA teachers: there is no question we have it tough, but our work has never been more important. My observations and anecdotal data collection includes the increased amount of time students, especially of poverty, spend consuming media and not creating.The struggle to convince students into having faith in me, that we’ll get to use their laptops for creative ends, and bear with me while we do forumulaic mandates. But yes, I’ve seen good close-reading lessons, controversial discussions and working through big thematic, enduring understandings fill their minds with good stuff. 

This blog post by John Spencer sums it up for me, and something I hold dear: “Should Schools Be More Confusing?” Yes. And teachers should allow each other to practice research and ask the tough, inquisitive questions, too. 

“We’re developing a new citizenry. One that will be very selective about cereals and automobiles, but won’t be able to think.” –Rod Serling

Not on our watch, Rod. We’re prepared.

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Something wicked +1

Architecture of a Story
Architecture of a Story

Is it just me or does one become a veteran teacher far too soon in one’s journey? Meaning, how did I get so old?! Well, as scary as that is, it’s better than the alternative, right Poe?

Allow me to present the context: through December I have a student teacher, and boy oh boy am I happy to know her. She’s going to be a fantastic teacher, wants to do well and jump right in. This has been an especially chaotic start to the new school year for me: our administration takes great care and time to balance the master schedule, so it’s had to change multiple times to get it right. When one considers how many of our students need what is called “Essentials” in our district (it’s probably called that other places, too), it changes the dynamic quite a bit. To the point, for me personally I gave up my planning period and will be teaching six periods a day, so having an eager student teacher/intern will be enormously helpful.

One of the requirements of her program is a three-day scoped lesson, and since she and I are both enthusiastic fans of all things macabre and October, we sat down to discuss a possible text. One of the first short stories I planned on handing over to her was The Monkey’s Paw. I’ve used this story for many years and add the Vimeo film, too. It’s accessible in terms of understanding themes/tropes (be careful what you wish for! Magic has a cost! Be grateful for what you have!) and is grand, classic fun.

And that was the problem.

As I am describing the story, written in 1902, with its archaic language and cultural tropes (exotic foreign lands! Grand Fakir! Seargent Major in the grand India wars….!) her eyes seemed to glaze over, not in boredom, but in overwhelmed fear: these old stories are not this generation’s stories. She’s two years older than my oldest son, and if I may make one sweeping generalization about millennials it’s not that they haven’t read the classics, but perhaps have rejected them because they are not multicultural or diverse. Coming from my old white lady perspective, many of my beloved stories are from a narrow Victorian smelling salts place of overly tight corsets and ladies locked in boxes/towers/coffins.

The Monkey’s Paw is not a place to start when you’re a 23-year-old student teacher.

 

I put the word out on the Notice and Note page:

I’m going to the well once again — 🙂 I have a great student teacher, and many of the classic horror stories are not in her wheelhouse. We’re thinking of her three-day filmed lessons of doing RL8.3 and a scary story. Things like The Monkey’s Paw or The Raven are not comfortable for her necessarily, so was wondering if anyone knows of poetry or short story horror that’s more contemporary? The guiding question is ‘what do we know as readers that the character(s) don’t know?’ among others. Please and thank you–

To all of you: you honor me with your amazing resources and suggestions. What I think we all struggled with though was at the heart of my question: something more contemporary. I should have just flat-out said: diverse. Multicultural. Not Dead White Guy. Not that there’s a darn thing wrong with dead white guys. Those are some of my favorite guys.

From Notice and Note Educator Experts:

But these are wonderful pieces of literature, and though I’ve used most of them extensively, have some new ones to check out:

The Landlady by Roald Dahl (short story)

The Graveyard Book by Neil Gaiman (used this for years) (novel)

Don’t Ask Jack by Neil Gaiman

The Wife’s Tale by Seamus Heaney (poetry)

The Lady or the Tiger by Frank Stockton

Lamb to the Slaughter by Roald Dahl

The Right Kind of House by Henry Slezar

Reverse Insomnia – not sure (?)

The Most Dangerous Game by Richard Cornell

The Adventure of the Speckled Band by Arthur Conan Doyle

The Waxwork by AM Burrage

The Highwayman (romantic/gothic/poetry) Alfred Noyes

Darkness Creeping Neil Shusterman (collection)

Fever Dream by Ray Bradbury

The Veldt by Ray Bradbury

All in a Summer Day by Ray Bradbury

Twilight Zone/Monsters are Due on Maple Street

The Raven by Edgar Allan Poe

The Tell-Tale Heart by Edgar Allan Poe

Cask of Amontillado by Edgar Allan Poe

The Black Cat by Edgar Allan Poe

Three Skeleton Key by George G. Toudouze

Heading Home by Ramsey Campbell

Miriam by Truman Capote

The Open Window by Saki

The Severed Hand by Wilhelm Hauff

Under the Weather by Stephen King

E-books for Stephen King

Cabinet of Curiosities 

The Lottery by Shirley Jackson (I still have students trying to hand me pieces of paper with black dots)

What I found:

http://theweek.com/articles/458062/9-contemporary-horror-stories-read-right-now — ooh there are some good ones here

http://www.yalsa.ala.org/thehub/2015/10/19/diverse-horror-folklore-ya/ — just bought some Rin Chupaco

http://www.livescience.com/48515-10-haunted-house-ghost-stories.html – these are ancient stories from around the world

 

And of course, there are always quick films. I have film versions of almost all the classic stories above.

Lights Out – Who’s There Film Challenge (2013) from David F. Sandberg on Vimeo.

Bloody Cuts/Who’s There Film Challenge -some are NOT appropriate, but some are pretty great.

I want to thank you all for your suggestions and insights: it reminds me again that we cannot do this alone. It’s up to my student teacher to poke around and find one that feels comfortable for her now, just like all of us have and had to do. She’s going to craft and curate her own stories to tell — and I can’t wait to hear them!

 

PS http://onebooklane.com/mistletoe-bride-short-story-kate-mosse/

 

and

The Life of Death from Marsha Onderstijn on Vimeo.

 

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Room in your head.

 

fish books
A case for quiet schools…

We can’t see the stars any longer because of light pollution. But as the lady says, “The night is dark and full of terrors,” so we humans master the monsters and use all the power we can to dispel the darkness. But we don’t see things as we once did, or learn from the larger spaces and infinite wonderful universe.

And perhaps — this is just an idea — we have overlooked the other toxic detriment to learning: noise pollution.

Studies come out all the time based on things we know. But the knowledge needs to be re-studied, analyzed, and updated. Olga Khazan recently published a study in The Atlantic “How Noise Pollution Affects Learning.”

“Hearing new words in fluent speech without a lot of background noise before trying to learn what objects the new words corresponded to may help very young children master new vocabulary,” Saffran said in a statement.

That’s a helpful tip for parents and teachers, but overall, the study highlights yet another cognitive obstacle facing low-income children. Not only do poor children hear fewer words than rich ones—the gap is estimated to reach 30 million words by age 3—they are more likely to live in loud environments, as McMillan and Saffran write. Their homes are more crowded, their schools are closer to highways, and they spend more time watching TV. (This phenomenon would help explain why children living in urban poverty have lower verbal working-memory scores than those in rural environments.

I would add another noise factor, too, and that is digital noise. Right now I am on overload because of the conventions, the news media, Twitter, Facebook, news outlets, sources, opinions, etc. I am obsessed with politics right now, and cannot seem to break away. Like many educators, I sense I am not alone in this compelling urgency to believe that learning and knowledge can triumph and rescue this historical moment. So I keep reading. I keep analyzing. And the curse of close reading is making my head hurt.

But this — all this — is a luxury, a privilege, of being a reader and thinker. Of growing up in a household, modest to be sure, but where quiet ruled. Where we were allowed to read as long as chores were done, and have mercy on our souls if we woke our mom up from a nap. Being alone and having space in one’s own head was a given growing up. Now I see it not as there wasn’t much else to do, but a gift.

Last year I had two semesters of Computer Skills for my elective. Though technology for publication and communication have always been the standards I’ve employed in my classrooms, this particular elective provided the chance to focus on some newer technologies not attached to content. One project was a podcast. Well, this exercise reminded me of the noise pollution in many homes. (It’s not relegated to homes in poverty, either. Some houses always have a television on, or music playing.) A diligent and creative student came to me in frustration because while she was trying to record her podcast at home she found it near impossible due to everyone else’s level of noise and interruptions. And though we have a room in our building intended for podcasting and filming, it’s been taken over with junk and other things, and proves inhospitable to recording. (I’m going to ask admin if this can be resolved next year, or at least clean out a space of our own for recording.) This is the question: how to make school/classrooms have those quiet/sacred places and times in the day?

This hearkens back to a great discussion on Notice and Note about homework. Not all students have a quiet place to read, practice, etc. I have homeless students. I have students who sleep on mattresses without sheets or blankets. I have students who have disabled siblings that require all the energy and care their parents can provide, leaving them to their own. There is not judgment here, only pragmatism. If I am aware as a teacher that some students face staggering challenges at home, isn’t it my direct purpose to provide reason and solace in the classroom? To explain and make transparent I am not asking for quiet because it makes life better for me, but a gift for them? And trust me — this is one of the most challenging things to do–getting students to be comfortable in their own heads. One student experienced such deep trauma, and was able to share with me that when it was quiet she was not in control of her thoughts just yet. Be aware of this, too, and come up with alternatives.

Middle school students, and probably high school ones, too, fight against all research and reason about multi-tasking. Perhaps it’s time to reframe the conversation and tell them what noise pollution damaged, and how to change habits.

Big talk coming from someone who can’t stop reading.

Okay — I’ll take the dog for a walk. Maybe I won’t even try to catch Pokemon, either.

 

 

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