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write now

It’s 12:15 PM on November 10th. Do you know where your NaNoMo novel is? Yeah, about that. Good intentions aside, I have done everything but just sit and type. I made a video. Updated grades. Reheated a bowl of chili mac (that will come back to haunt me), and read a few Tweets.

But two things grabbed my brain this morning:

  1. The epiphany that teachers enjoy creating lessons for themselves and having agency, just like students. This has nothing to do with the rest of the post directly, just needed to remember this.
  2. We must flip reading around to writing, or balance it much better.

For some time now, my professional opinion held the research of the National Writing Project that writing helps us become better readers. Reading helps us become better writers, too, but somehow that message got lost in translation.

Summaries, Claim, Evidence and Reasoning paragraphs, Short Answer Responses, etc. are not ‘writing instruction.’ They are a form of writing, of course, living in the Land of Explanatory, formulaic, structured texts, but alas, really do not help or support writing instruction.

And, as one who prides herself on good writing instruction, it’s hard. It’s really hard.

Until it’s not.

Do you know why middle school students give up on their writing lives? Well, wouldn’t you if no one really cared to hear what you had to say? If you didn’t get the answer “right” or scrambled madly for text evidence just to get the dang assignment done? (I asked my students this week if they ever just grab text evidence randomly and every one giggled and confessed yes.) This is not any teachers’ fault –not at all. I am recommending that we teach them how to find their OWN “text evidence” first. Their own stories, insights, moments, etc.

From The Real Reasons So Many Young People Can’t Write Well Today–An English Teacher

“A 2010 study by the Carnegie Corporation called Writing to Read found ample evidence that writing can dramatically improve reading ability. The authors discovered that combining reading and writing instruction by having students write about what they read, explicitly teaching them the skills and processes that go into creating text, and increasing the amount of writing they do results in increased reading comprehension as well as improved writing skill.”

I know this so well. This message is inscribed in my heart. I passed along Writing to Read to past administrators, who’ve come and gone, and I am not sure current ones want or need it. I’ll ask. In the meantime, I’ll take a look at works and reformulate them to fit the digital instruction:

The current test focuses so much on reading, it’s true, but not all of it. Here is the brief write portion of the test, just in case anyone wants it, (even new teachers).

Here is a lesson on memoir writing:

And the parallel writing structure:

Now I’d better go write my own story.

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Mind the Map.

https://ed.ted.com/on/7WdV6Sqw

Here is the teaching point/issue:

How do we concurrently 1. teach students how stories work (or how anything works for that matter) 2. use technology to best demonstrate concepts 3. have students practice and grow their own knowledge?

One idea: mind mapping.

There are multiple available apps, etc. for this technique. We had Inspiration in our district, but not sure if we renewed the license or not. No matter.  I know we have other similar apps on our PCs for work. Mind mapping is simply brainstorming, sketching ideas in a hierarchal visual mode, and revisable in real time. For anyone who’s done a cocktail napkin sketch, written a grocery list, or planned an essay, you’ve done a form of mind mapping. It’s finding your way, setting a course, and looking at the big picture.

 

There are some exquisite examples of mind maps.

Cool examples: https://mindmapsunleashed.com/10-really-cool-mind-mapping-examples-you-will-learn-from

https://storymaps.arcgis.com/en/app-list/

http://mashable.com/2013/09/25/mind-mapping-tools/#ncJJyS7Bx8qG

I looked through this file and added MindMap:

https://drive.google.com/file/d/0ByKyQvl3l_F5aVNLZnc1Q3dmQ1E/view?usp=sharing

https://www.visualthesaurus.com/

http://www.mindmapping.com/

Canva:

Mind Map

https://bubbl.us/

http://www.inspiration.com/visual-learning/mind-mapping

How to Mind Map

All mind maps begin with a main concept or idea that the rest of the map revolves around, so choosing that idea or topic is the first step. Begin by creating an image or writing a word that represents that first main idea.

From that main idea, create branches (as many as needed), that each represent a single word that relates to the main topic. It’s helpful to use different colors and images to differentiate the branches and sub-topics.

Then, create sub-branches that stem from the main branches to further expand on ideas and concepts. These sub-branches will also contain words that elaborate on the topic of the branch it stems from. This helps develop and elaborate on the overall theme of the mind map. Including images and sketches can also be helpful in brainstorming and creating the sub-branch topics.

Mind maps can be created on paper but are more easily and fluidly created on a computer with mind mapping software such as Inspiration Software®’s Inspiration® 9.

via GIPHY

https://www.text2mindmap.com: I got a safety message when I tried to go to this site.

 

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Saving Summer: Hugo House and Shared Writing

 

Summer fills up fast, faster than a kiddie pool in an Orlando backyard, faster than a cup of coffee at an all-night diner, faster than…well, dang. I’m out of analogies. But, there is a remedy for lack of inspiration! One of the highlights so far included time and money well spent at Hugo House at the Write-O-Rama on July 8. Since the dismantling of the Puget Sound Writing Project, I’ve been untethered in

Since the dismantling of the Puget Sound Writing Project, I’ve been untethered in terms of having others to talk about and share writing. It’s been…well, I’ve been in a state of low mourning. I’m glad I went, and I plan on going to other events and joining now that I am aware of this deep resource.

https://hugohouse.org/blog/

The way the day was set up was simply lovely: it didn’t start too early (looking at you, Holly!) and attendees could decide well in advance which speakers they wanted to hear. I ended up going to 1. Get into Character with Bruce Holbert (charming writer!) 2. Mini-Memoirs for Podcasting–it was good, but wish I went to Movie Memoir, too…3. Revising your novel – the tip I took away was…now I don’t remember. (Just write the damn thing?!) 4. Writing for Performance: I wish Garfield Hillson could come and speak to students at my school and finally 5. Your Note to a non-person was a lovely way to end the day. This is just like RAFTS, but the creative constraint was letter writing, which added a useful boundary by which to operate.

Oh, now I remember. One tip for the Revising Novel unit was to write a movie descriptor summary. What a great idea for students! This could lead to what themes exist, etc.

Looking for something else, I came across this site, which I am going to use for writing instruction:

What’s The Logline?

Now, the spoken word section. That was humbling and wonderful –(this may sound odd, but being humbled is excruciatingly thrilling for me: it’s where I learn the most). He gave us good notes, and specifically,  he said mine was really funny but need to alter my pacing. Good to know, good to know.

This leads me to ask, “What is comedy?” -but only because, like I said, he thought my piece was funny.

 

Comedy is “a person dealing with a situation that they’re ill-equipped to handle.” —  and if I go through my rough draft of the spoken word piece, clearly the world right now is too much for me to handle.

These are my raw notes from Evernote:

Spoken word poetry
Writing as ritual
Garfield
Access
Pronouns
Name
Asked important questions first (name, preferred gender pronoun)
Writing prompts:
Blockbusters if you had one superpower what would it be
If your name is the thing you’re called the most what would your name be
Acrostic poem
Blood is thicker but water swallows best
If I had one superpower
I could understand, and speak any language in the world
Dead languages, too, like Latin
And living ones like Urdu and Navajo and Swahili
The French would be astounded when this very American middle age woman opens her mouth and says the most brilliant things with the perfect accent and they wouldn’t be suspicious at all
Spanish students saying jota and pendejo would giggle when I could give them “the look” because I know what they are saying: but more importantly, I could help Moises learn to read in English easier, and faster, so he could pass the test and make his family proud. I could speak to the moms, crying because their daughter stole 800 dollars from them, tell them it’s going to be okay, instead of with my stupid cow face nodding sympathetically
I could speak perfect German, and Russian, just like Angela Merkel, so when I become a world ambassador I could help broker peace deals that would save the world, and in the virtual worlds,  if I could speak Portuguese I could tell the World of Warcraft players from the Quel Thalas server to stop trolling.
In elevators and airports, I could understand people’s small talk, and thus understand their dreams.
On airplanes, I would travel internationally and soothe babies in their mother tongue’s lullabies.
Floating on ships, nothing would be lost in the depths of translation.
I could speak Elvish just like Tolkien imagined, and Klingon that would bring any Trekkie to tears.
And read the Russian masters in Russian, gaining insight into my son’s predilection for dark, Slavic humor.
But the language I wish I could speak most of all would be the words to stop hate: shush the distractions and liars, and whisper intelligence in the unhopeful and ignorant.
No one seems to know this language, though. It has yet to be created.
Any poem can be performed
What does the poem say?
And that is how it’s performed
What does the poem require?
Energy to the words
Emote/Speak
Don’t read flat
I wish I could bring students to this!!!
Garfield
As we edit, put in the feelings and emotional tones
Soft spots: bursts open with feelings and emotions
Locate those moments first
Get rid of lines that are just thrown in there
Purposeful and lead into experience
List poems
Of what is in there and what is not
List of frailty
List of abundance
Writing territories
Create lists
Language
Death
List of all the languages
What do I need before I go on stage?
Why is this important?
Tell students to think about what they need: nervousness, not speaking or speaking
While on stage, why are you doing what you’re doing?
Speak and be in the moment
Exit strategy
Treat yourself in order to get back to yourself
Slump
Feel as good and genuine in your body as possible
Hands
Feet
Slam intentional movements
Point and down
Be careful of “poet” hands
You are all Genius and excellent writers
Several shades of emotions
Nuances of emotions
Record the performance
Make sure not so monotone
Please listen to self
Record self!!
Record self on mute and look at what body is doing
body language and voice can send a mixed message
Be authoritative when it calls for it
What an amazing partner activity
The voice/performance makes the world
Like Shakespeare makes sense when you hear it
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Saving Summer: Where the Stories Are

via GIPHY

If you follow the Notice and Note site on Facebook (and why are you still reading this if you’re not?!), you will see many teachers asking for recommendations on a variety of themes, theme topics, units, and niche text recommendations for a variety of grade levels and kids. It’s fantastic.

There are many places to get good stories and texts, and here are just a few:

Open Culture

Book Riot:

CommonLit

Free texts — how awesome is that?

BrainPickings

Excerpts, recommendations, etc.

Project Gutenberg

Thousands of free books and other texts.

Actively Learn

You can control a variety of texts and upload Google Docs and links from the Internet.

NPR-Ed

Podcasts: (make sure age appropriate)

These are a smattering of my favorites:

And if you browse for ‘free short stories’ over a million entries come up:

 

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Series: Elements of Structure XI: The Video Personality

Note: Some strong language is used in this video, and may be offensive.

This may be the current medium of choice among young adults, and it’s one I thoroughly endorse in format. However, examining the draw of listening/watching, the speed of discourse, and the power of convincing others of a point of view when packaged visually can be dangerous.

In a recent opinion piece by Gretchen Kelly, This Is How White Supremacy Comes to Your Neighborhood, the advent of the video link recommendations and the toxic rabbit holes children, and adults, fall into, may be cause for alarm. It’s up to us to be mindful that most of what students are receiving are not from straight, constricted text, and the act of teaching and learning contextual information is more critical than ever. Videos are visual: Tomi Lahren is visually appealing to her viewers, but even that didn’t protect her from her base turning against her when they disagreed with her stance on one issue.

Ask your second students which videos offend them, and why. We’re in the midst of embroiled discussions about gender and race (and zombies) currently, and you may find out some very interesting things. Be prepared to keep an open mind.

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