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…the unbearable lightness of knowledge…

My dining room table will be spotless by day's end. This is phase three of the GREAT BINDERING of '15
My dining room table will be spotless by day’s end. This is phase three of the GREAT BINDERING of ’15

There is a popular how-to book going around the ‘net now titled The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing by Marie Kondo. Since I have invested a lot of time and energy in breeding and care of dust bunnies, this topic doesn’t interest me. When the dust bunny farm goes south, perhaps I’ll give it another look. I kid, I kid. A synopsis spiraled around, and the one thing that stood out for me is the concept is don’t clean by area, clean by topic. For teachers, this is huge, and something I’ve always practiced: when moving or cleaning out a classroom, things go in categories: book genres to supplies, etc. It tends to work. Only when cleaning out the BOOK ROOM (this is a big deal) over my years as curriculum leader (aka department head in some academic circles) did I ever trash a few titles that were truly pulp, and not worth the paper they were printed on. I would have like to have gotten ride of Jackie’s Wild Seattle (ugh), but kept it in case it was anyone’s pet book. So far it has about as much charm as a dust bunny with fleas.

But here is something I did not expect: a debate about a classic title such as Wrinkle in Time by Madeleine L’Engle.

And do NOT comment on this full disclosure: I haven’t read the book (yet). Bet I’ve read a few books you haven’t. This one missed me because of my age and place in school–and that is the moral of this post.

This isn’t about my life as a reader, but our students’ lives.

I know this book meant a lot to a colleague of mine, and shaped her thinking about science. She is one of the exemplary science teachers I know. She introduced me to Ray Bradbury’s story, The Veldt, one of my new favorites to use with students.

To share the conversation, consider your own practices of purging through the mindset of “decluttering” —

book discussion 1 book discussion 2

 

I found one commenter’s remark curious, about ‘supporting’ my friend’s decision to purge this title. It ignited so many thoughts:

  • I’ve had six new administration teams and this will be my tenth year of teaching. Each admin team has a vision and new ideas, and we as a staff have had to adjust to the new ‘house rules’ every time, layered with change of guards in professional development focuses, and all the other changes inherent in modern teaching practices. This is my clutter I purge every year. Not books. Yours may be books, or dried up markers, etc. 
  • I have my own ideas about ‘reading lives,’ and considering a time-line of my own reading life. Are You There God, It’s Me Margaret, Blubber, and Forever by Judy Blume were transformative texts for me; their relevance to students now may seem laughable. But that’s not the point: when I share Harriet the Spy to students, explaining what happened to me, more than one student would ask if I had a copy of it.
  • We all worry about stamina, that students do not pick up books. If we don’t open them for them, they never will. They will see them as traps. How do we break this notion that time spent with a book is wasted, that they have something ‘better to do?’ 
  • Do you know that movies now have a different frame rate than in years past? So much digital and media noise comes at our students constantly, no wonder they can’t sit and read a book. By the time many of my students are in 8th grade, they are not embarrassed at all by stating they do NOT want to read a ‘chapter book’ –and where are the pictures.

What went wrong?!

Nothing, really. Many students DO read, ask me about books, will not only finish a novel, but read it again (talk to me about Ready Player One by Ernest Cline). The trick is not to purge all the reading from all the students: like the Japanese decluttering books, look at readers as topics -help them craft their reading life, and recognize not every reader will be a reader of novels. Offer interest surveys, genre options, and let the book fit the reader, not force the reader to the book. Those are ideas that are timeless and sustaining.

And thank God for Judy Blume.

Postscript: I’m moving classrooms this year. More floor space, but no cupboard space, and there are no existing whiteboards. I’m going to have to change a lot to make it work.

*no whiteboards*

via GIPHY

 

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Media Festival: Fear Unit

Note: Working on curating a variety of media and text(s) for thematic units. Bear with me, this is the best place, this blog, where I can archive/collect these materials.

I am crafting and revising a ‘fear’ unit–why do we fear, what is fear’s purpose, and how do we overcome it are the essential questions.

Mean Teddies from Tyler Novo on Vimeo.

Brent Sims’ Grave Shivers from Sims Films on Vimeo.

“Brent Sims’ Grave Shivers” is a short sci-fi/horror anthology that weaves three tales of monsters, killers, and things that go bump in the night. Recent winner of the audience award at the H.P. Lovecraft Film Festival in Los Angeles. The project has been featured on io9, dread central, and on moviepilot. The film has been view more than 550k and called an “Anthology of Awesome,” by dread central.

Lights Out – Who’s There Film Challenge (2013) from David F. Sandberg on Vimeo.

For all our ~3 min horror films: https://vimeo.com/channels/shorthorror
Winner of ‘Best Short’ at Bilbao Fantasy Film Festival 2014 http://fantbilbao.net/Fant2014/
Winner of ‘Best Director’ in the http://www.bchorrorchallenge.com
Breakdown of the last shot: http://vimeo.com/83231790
Shot on the Blackmagic Cinema Camera with a Tokina 11-16, F2.8.

Articles:

World with No Fear-NPR

A Life Without Fear – NPR

Short Stories:

The Monkey’s Paw

The Tell-Tale Heart

(More to follow: if you have suggestions, please share!)

Some ideas for other film resources:

The H.P. Lovecraft Film Festival
Chinese Theatre Screening – Hollyshorts
Los Angeles Movie Awards (Fall)
New Orleans Horror Film Festival
SoCal Film Festival
IFFCA (International Film Festival of Cinematic Arts)
Eerie Horror Film Festival and Expo, Erie, Pa.
Thriller! Chiller! Film Festival Idaho Horror Film Festival
Austin’s Housecore Horror Film Festival
Dia de Los Muertos event at Crafted Port of Los Angeles
Science Fiction + Fantasy Short Film Festival 2015, co-presented by EMP Museum and the Seattle International Film Festival (SIFF)
RadCon SciFi and Fantasy Convention; Pasco, WA
Seattle Crypticon Horror Convention; Seattle WA
Sasquan International Film Festival / Worldcon; Spokane, WA
Tri-Cities International Fantastic Film Festival; Richland WA
The Big Easy International Film Festival
Dark Matters Film Festival, Arizona
Mindf*ck Film Festival (Santa Monica, Vidiots Foundation Screening Room)
Boston Sci-Fi Film Festival
“Galaxy Theater,” Santa Rosa’s Northbay TV sci-fi program
Pasadena International Film Festival
Nashville International Film Festival
Crimson Screen Film Festival
Bonebat (Comedy/Horror) Film Festival
SoCal Creative and Innovative Film Festival
Oceanside International Film Festival

For more information visit brentsims.com

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Story power.

Someone was listening.
Someone was listening.

Stories are powerful, and make things stick.

And teachers: it’s okay if you tell stories. Your talk is important, too, when balanced.

Really.

I am a proponent of the well-timed anecdote, the personal connection that makes content relatable and relevant.

There’s been a movement, or perhaps a misunderstanding of the new standards, to make the classroom so student-focused it’s lost sight of the other human in the room: the teacher.

Consistent with these NAEP recommendations, the Common Core Standards for Language Arts now call for an “overwhelming focus of writing throughout high school to be on arguments and informative/ explanatory texts” and that the distribution of writing purposes across grades “should adhere to those outlined by NAEP” (NGA/ CCSSO 2010e, 5). This de-emphasis on narrative writing is a mistake.

Gallagher, Kelly (2015-02-28). In the Best Interest of Students: Staying True to What Works in the ELA Classroom (Kindle Locations 1870-1873). Stenhouse Publishers. Kindle Edition.

 

But here is something we all know – we know we don’t start off in life as “teachers” (at least I didn’t, far from it) but simply ourselves. No matter what we end up doing for a profession, we have our stories first.

The best teachers, doctors, lawyers, salespersons, managers, nurses, CEOs, taxi drivers, scientists, football coaches, and politicians have one thing in common: the ability to connect with people through storytelling. Being able to tell a good story is not a school skill, it is a life skill, and as such, it should be given greater, not less, emphasis. If we want our students to be good storytellers, they need to read and write more narratives.

Gallagher, Kelly (2015-02-28). In the Best Interest of Students: Staying True to What Works in the ELA Classroom (Kindle Locations 1873-1876). Stenhouse Publishers. Kindle Edition.

And if you need more proof that “yes you will use narrative writing in ‘real life,’:

Using Narratives and Storytelling to communicate science with non-expert audiences: Abstract:Although storytelling often has negative connotations within science, narrative formats of communication should not be disregarded when communicating science to nonexpert audiences. Narratives offer increased comprehension, interest, and engagement. Nonexperts get most of their science information from mass media content, which is itself already biased toward narrative formats. Narratives are also intrinsically persuasive, which offers science communicators tactics for persuading otherwise resistant audiences, although such use also raises ethical considerations. Future intersections of narrative research with ongoing discussions in science communication are introduced.

Keywords: persuasion, ethics
From Writing Narratives About Science: Advice from People Who Do It Well by Maryn McKenna: To me the most important tool for telling narrative is time. Not just time within the narrative, which is what allows you to tell the story as a chronology, but time for research and reporting before you begin writing. Really good narratives are grounded in memorable characters confronting difficult problems, and it takes a lot of research time up-front to identify them.

“Confronting difficult problems:”  the mothers who choose not to have their children vaccinated, or the husband who supports his wife during breast cancer treatment, or the teenage girl struggling with an unwanted pregnancy. Real stories, with wide implications. And as we share our own stories, consider the same parameters we provide students: audience awareness, risk taking, language, and intent.

Passing notes in class, 1944

There are many scholarly articles about the use of narrative in multiple professions if you need additional research-based rationale if you’re ‘caught talking during class.’  Balance, of course, is always the rule of the day.

What do you write about when you write as a ‘person’ and not necessarily a ‘teacher person?’

 

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National Writing Project (NWP): Yes, in my backyard…

spongebob writes

Call this shameless promotion. Accuse me of having an agenda. I do. An important one. As I approach my ninth year of teaching, as I begin to sift through the hours of professional development, stale staff meetings, and reform, reform, reform, and oh, “Would you like a new assessment with that reform?” one clear and shining beacon of hope burns bright for me still — the time and relationships I’ve built with Puget Sound Writing Project, my local chapter of the National Writing Project. The NWP celebrates 40 years this yearlet that sink in for a moment. I’ll wait. 

Did you check your e-mails? Did you post a cat video on Facebook? No, I’m not being smug or snarky: those would be things I would do. Allow the static and volume both in noise pollution and quantity to interfere with my own thoughts. But consider the stalwart insistence of four decades: no matter the changes and turbulence, the National Writing Project has held true to its mission:

Our Mission

The National Writing Project focuses the knowledge, expertise, and leadership of our nation’s educators on sustained efforts to improve writing and learning for all learners.

They believe something I have not witnessed in many administrators: they believe teachers are the best teachers of teachers. NWP encourages and clears the path for us, allowing us to flourish. What is the very essence of education? My truth–to provide a space where I and my students thrive, push, connect, and remain messily, unabashedly human. There is something that supercedes or transcends devil-in-the-details about Common Core or its accompanying assessments such as the SBAC. It doesn’t matter how we feel about those things — what matters is how NWP/PSWP provides the clear-thinking mental (and physical) space to support each other. All I can think of is a stupid metaphor about how we teachers are the farmers, reform is the changing weather (tornadoes, drought, and pestilence at times) and our crop, naturally–our students. Okay, forgive me. That was dumb. I’m stretching. (Quietly walks over to coffee pot to see if caffeine will help!)

I think it did. Okay. Back to this.

Here’s what it’s done for me:

  • Made me believe I am a writer
  • Given me sustaining and nurturing relationships
  • Provided me with a means to help students tell their own stories
  • Given me a free space where none of my ideas are stupid, dismissed, or discounted
  • Let me talk things through
  • Honored me, and given me status
  • Shown me through gentle leadership how to empower others and give them status
  • Provided a dragon’s vault of valuable lessons and instructional delivery
  • Encouraged and expected my own teaching vision
  • Space for critical thinking and reflection of others ideas and research/analysis
  • Supported connections with educators around the country and world
  • Periodical check-ups for teaching health (this is HUGE)

I thank my lucky stars every day for Holly Stein, too. She’s the former and now current director of the PSWP. Without her encouragement and guidance–don’t even really want to think about that right now. The working studio environment — time to work, time to talk, time to share — honors teachers from all paths. If you’re feeling fatigued from the current state of affairs in education, possibly even close to extreme burn-out, (as I was), consider looking into your own local NWP group. Even if there is not a physical space at a university, consider reading news and updates from this organization. We are digitally connected, and our front porches as close as our screens.

Now — time to write.

National Writing Project, Twitter: https://twitter.com/writingproject @writingproject

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Movie-in-a-minute

movie clapboardWhat does one do with a flirtatious, frisky, and fidgety group of 8th grade students?

Well, what would Spielberg do?

He would make a movie, that’s what.

So, the challenge: In three days’ time, form a production company, write a script, cast parts, rehearse, film, edit, and post a one-minute film.

But it can’t be just some advant-garde staring-at-a-blank-wall-because-I’m-so-darned-full-of ennui-thing. Oh, contraire, Pierre! Zat ees not sineemah! It must have EXPOSITION! CONFLICT! RISING ACTIONS! CLIMAX! And, of course, a serving of resolution and dénouement, YOU! So far, so good. Aside from a few teachers understandably and respectfully requesting the enthusiastic filmmakers quiet their oeuvres,production seemed to run fairly smoothly. From what I can tell, we’re going to run the gamut; everything from re-enactments, documentaries, random dancing, saloon brawls, you name it. It’s going to be grand.

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