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Los Zumbis de Washington

 

via GIPHY

This will be a long post: I am retracing my steps on the creation of a unit. TL:DR: Zombies and survival themes are great for 8th-grade students. E-mail me if you want resources or have questions.

One of my teammates Nate had a fantastic idea for argumentative work:

Zombies.

With the help of my teammates Nate, Sabrina, and the Notice & Note social media site, especially Beth Crawford, we unleashed zombies. Trying to put together a unit without common planning or time to meet (each of us is in different phases in life: I could work on units all weekend, and I did over mid-winter break, but it’s better to collaborate with trustworthy, competent folks). We did the best we could, and it needs tweaking and refinement, but out of the box—not too shabby!

I put the call out to Notice and Note and received many great ideas. Beth Crawford followed up with Google docs resources, etc. Some things had to be left behind, and some were added without assessment concepts nailed down. But then again, when you’re dealing with flesh-melting concepts, it’s hard to nail anything down.

Took pics after Zombie Tag and created a Walking Dead look using Snapseed.

The Lumbering Steps:

  1. Overview: this needs work, no doubt: 
  2. Personality Inventory (aka “Body Armor”)
    • Rationale: students would discover their own personality traits, both figurative and literal, that add positive benefits for working with other partners. The goal was to have them create a personality inventory and share their strengths and advantages with others.
    • What worked: students like knowing where they fell on a quasi- Meyers-Briggs scale and gamer’s quiz.
    • What needs to be better: more time, and more explanation on how their inventory works with other personalities, or what pitfalls they might encounter. Critically thinking about attributes is one of the most difficult things to do.
    • We first used this document:
    • But then I changed my students’ work to thinglink.com
  3. Top Ten Survival Items
    • Partner: pare down to fifteen items out of the twenty: You know you’ve succeeded when a group of kids argues about duct tape versus rope for twenty minutes.
    • Rationale: coming up with important items in times of scarcity for survival, and perhaps how to plan ahead (we are in earthquake territory, after all)
  4. Annotated Bibliography
    • Rationale: having students curate their resources for research using an annotated bibliography would help them understand the importance of discerning and critiquing articles closely and carefully.
    • What worked: It served the purpose of getting kids to read, and by golly, they did really try: not sure how many I have turned in, but I know many of them were engaged in this. As soon as I re-introduced it as a “playlist” of a topic, the lightbulbs went off!
    • What could be better: more time to read articles together, and more focus on truth, opinion and fact lessons.
    • This is a poster my friend Sharon Clarke and I put together on our collective wisdom:

      Sharon is the best.
  5. Integration:
  6. What worked about integration: we barely scratched the surface. Maybe next year we can get the whole school involved.
  7. Writing: the partner teams had to write a collaborative ‘end of world’ scenario. This writing will appear on their shared PowerPoint.
    • What worked: they got this, mostly.
    • What could be better: More time. (Seeing a trend here?) Students didn’t have time to fully craft their POV points in the story: the plan was to have them create a story together, and then write a first-person narrative on what they were doing when everything fell apart, and how they eventually met up and survived. Students who love role-play and writing jumped right on this: students who are not quite patched-in with their own creativity didn’t. But as all good growth mindset conversations end: YET.

8. Zombie Partner Shared PowerPoint: The partner created a shared PowerPoint with many of these pieces. One aspect was the “film” slide: add any multimedia possible that goes along with survival or zombies, or film themselves. Some kids used their webcams and shot pics/videos, others found videos on YouTube, etc.

9. Article Links samples:

Here are some articles, etc. I gathered so students could choose for their annotated bibliography:

There were more, most I posted in ActivelyLearn and Canvas.

What I didn’t get to do: a handcrafted survival guide. 

Sigh.

Maybe next time.

What we will do: next week before spring break, I am giving them a choice of three writing prompts that are directly connected to SBA Brief Writes:

Mrs Love Zombie Presentation Final Survival

Please let me know if you have questions, or want to add to this awesomesauce.

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Something wicked +1

Architecture of a Story
Architecture of a Story

Is it just me or does one become a veteran teacher far too soon in one’s journey? Meaning, how did I get so old?! Well, as scary as that is, it’s better than the alternative, right Poe?

Allow me to present the context: through December I have a student teacher, and boy oh boy am I happy to know her. She’s going to be a fantastic teacher, wants to do well and jump right in. This has been an especially chaotic start to the new school year for me: our administration takes great care and time to balance the master schedule, so it’s had to change multiple times to get it right. When one considers how many of our students need what is called “Essentials” in our district (it’s probably called that other places, too), it changes the dynamic quite a bit. To the point, for me personally I gave up my planning period and will be teaching six periods a day, so having an eager student teacher/intern will be enormously helpful.

One of the requirements of her program is a three-day scoped lesson, and since she and I are both enthusiastic fans of all things macabre and October, we sat down to discuss a possible text. One of the first short stories I planned on handing over to her was The Monkey’s Paw. I’ve used this story for many years and add the Vimeo film, too. It’s accessible in terms of understanding themes/tropes (be careful what you wish for! Magic has a cost! Be grateful for what you have!) and is grand, classic fun.

And that was the problem.

As I am describing the story, written in 1902, with its archaic language and cultural tropes (exotic foreign lands! Grand Fakir! Seargent Major in the grand India wars….!) her eyes seemed to glaze over, not in boredom, but in overwhelmed fear: these old stories are not this generation’s stories. She’s two years older than my oldest son, and if I may make one sweeping generalization about millennials it’s not that they haven’t read the classics, but perhaps have rejected them because they are not multicultural or diverse. Coming from my old white lady perspective, many of my beloved stories are from a narrow Victorian smelling salts place of overly tight corsets and ladies locked in boxes/towers/coffins.

The Monkey’s Paw is not a place to start when you’re a 23-year-old student teacher.

 

I put the word out on the Notice and Note page:

I’m going to the well once again — 🙂 I have a great student teacher, and many of the classic horror stories are not in her wheelhouse. We’re thinking of her three-day filmed lessons of doing RL8.3 and a scary story. Things like The Monkey’s Paw or The Raven are not comfortable for her necessarily, so was wondering if anyone knows of poetry or short story horror that’s more contemporary? The guiding question is ‘what do we know as readers that the character(s) don’t know?’ among others. Please and thank you–

To all of you: you honor me with your amazing resources and suggestions. What I think we all struggled with though was at the heart of my question: something more contemporary. I should have just flat-out said: diverse. Multicultural. Not Dead White Guy. Not that there’s a darn thing wrong with dead white guys. Those are some of my favorite guys.

From Notice and Note Educator Experts:

But these are wonderful pieces of literature, and though I’ve used most of them extensively, have some new ones to check out:

The Landlady by Roald Dahl (short story)

The Graveyard Book by Neil Gaiman (used this for years) (novel)

Don’t Ask Jack by Neil Gaiman

The Wife’s Tale by Seamus Heaney (poetry)

The Lady or the Tiger by Frank Stockton

Lamb to the Slaughter by Roald Dahl

The Right Kind of House by Henry Slezar

Reverse Insomnia – not sure (?)

The Most Dangerous Game by Richard Cornell

The Adventure of the Speckled Band by Arthur Conan Doyle

The Waxwork by AM Burrage

The Highwayman (romantic/gothic/poetry) Alfred Noyes

Darkness Creeping Neil Shusterman (collection)

Fever Dream by Ray Bradbury

The Veldt by Ray Bradbury

All in a Summer Day by Ray Bradbury

Twilight Zone/Monsters are Due on Maple Street

The Raven by Edgar Allan Poe

The Tell-Tale Heart by Edgar Allan Poe

Cask of Amontillado by Edgar Allan Poe

The Black Cat by Edgar Allan Poe

Three Skeleton Key by George G. Toudouze

Heading Home by Ramsey Campbell

Miriam by Truman Capote

The Open Window by Saki

The Severed Hand by Wilhelm Hauff

Under the Weather by Stephen King

E-books for Stephen King

Cabinet of Curiosities 

The Lottery by Shirley Jackson (I still have students trying to hand me pieces of paper with black dots)

What I found:

http://theweek.com/articles/458062/9-contemporary-horror-stories-read-right-now — ooh there are some good ones here

http://www.yalsa.ala.org/thehub/2015/10/19/diverse-horror-folklore-ya/ — just bought some Rin Chupaco

http://www.livescience.com/48515-10-haunted-house-ghost-stories.html – these are ancient stories from around the world

 

And of course, there are always quick films. I have film versions of almost all the classic stories above.

Lights Out – Who’s There Film Challenge (2013) from David F. Sandberg on Vimeo.

Bloody Cuts/Who’s There Film Challenge -some are NOT appropriate, but some are pretty great.

I want to thank you all for your suggestions and insights: it reminds me again that we cannot do this alone. It’s up to my student teacher to poke around and find one that feels comfortable for her now, just like all of us have and had to do. She’s going to craft and curate her own stories to tell — and I can’t wait to hear them!

 

PS http://onebooklane.com/mistletoe-bride-short-story-kate-mosse/

 

and

The Life of Death from Marsha Onderstijn on Vimeo.

 

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Next Level Stuff (revised)

So, your students are fully versed in many close reading strategies, they’ve noticed, noted, whispered, and have mountains of texts and ideas. Now what? Well, the Short Answer Response and the Funnel/Hourglass analysis, that’s what! I have begged, borrowed, and outright pilfered these ideas from two great mentors, Kim McClung and Holly Stein, and provided some Google doc links, too.

The Funnel Paragraph in Literature Analysis

Funnel Paragraph Lesson Plan Template/Example

What It Says graphic organizer – student example

What It Says for The Raven

Funnel Chart graphic

Example of Funnel Paragraph with my notes/based on Steinbeck

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Chivalry isn’t dead.

galahad

Here is my attempt to help students using the Notice and Note strategies for one of my favorite short stories, ‘Chivalry‘ by Neil Gaiman.

 

N&N

Or:

n and n pinterest

Wait, you know what? I think you might enjoy doing this yourself. I don’t want to spoil the story for you.

I believe there is an example of every signpost in this story. Read it out loud to your students in your best English accent (if you don’t have one already). Enjoy.

This book of short stories is well worth it:

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Match up: texts, teachers, and students

The back of the cereal box of our times?
The back of the cereal box of our times?

This morning I promised myself not to touch either hand-held device, my cell phone or i-Pad, for at least five hours today. So far, so good. Lately I’ve acquired the odd habit of setting up arbitrary goals for myself, little mind games where only I know the rules. For example, in June, I told myself ‘no beer for a year.’ I really like beer, and though not trying to punish myself, just wanted to see if I could do it. Last night it got a little tricky because all I wanted to do was go out for a beer and nachos with my hubby, and instead we went through Dairy Queen drive-through and I traded a beer for a Peanut Buster Parfait. I have about one to two of those a year, so I guess I met my quota. Dang, it’s only July, too.

The other goal I set for myself was to try to do Camp NaNoWrMo. It’s July 7, and that means 6 days of only blog writing, which “doesn’t count.” All that’s happened is I am acutely aware that I haven’t written any drafts of fictional substance for months, and I’m overthinking everything. Too distracted, too grumpy, too much caffeine and not enough water. Focus, woman! Focus!

via GIPHY

This post is born of the fantastic Facebook pages/groups I’m honored to be in, specifically Notice & Note. Subscribers/members tend to post two types of questions: ‘What are some good text suggestions for X age group/Y skill or literary device,’ and ‘Does anyone have any suggestions on how to track student growth?’ I’ve already explored my plans for The Book Whisperer’s ideas, and am very excited about the how/why.

Now for the ‘what.’

I can’t read anymore. If a real, paper and bone book is in my hands, I have misplaced my reading glasses, or the light’s too far away, or I can’t get comfortable. If the text is on my Kindle, no problem, except something is kind of broken right now in my reader brain. Perhaps the paradox of choice is hitting me. I have too many unread books. Or perhaps it’s related to the ideas in this article, Why Can’t We Read Anymore by Hugh McGuire . And now I realize when I was gaming too much or flitting between devices, my brain seduced my actions with dopamine:

So, every new email you get gives you a little flood of dopamine. Every little flood of dopamine reinforces your brain’s memory that checking email gives a flood of dopamine. And our brains are programmed to seek out things that will give us little floods of dopamine. Further, these patterns of behaviour start creating neural pathways, so that they become unconscious habits: Work on something important, brain itch, check email, dopamine, refresh,dopamine, check Twitter, dopamine, back to work. Over and over, and each time the habit becomes more ingrained in the actual structures of our brains.

How can books compete?

Well, this blunt and honest conversation will take place at the beginning of my school year with students, that is what digitalization has done to their brains. All of our brains. Last year, my students who were readers were the ones who tended not to have a lot of television or screen time (remember those hippie parents, back in the day? Who didn’t have TVs? I gasped in bewildered horror anytime I came across a situation like that.)

Is the same thing happening to (other) teachers? Are teachers just not reading as much as they used to, grabbing a few YA novels or short stories, and curating them for themselves? Or it is just a means to share tried and true texts with one another? Probably the latter. But there may be some instances where it’s the former, or perhaps I’m projecting my own failings.

novels

I have my list of books/stories to share. I have an extensive classroom library, both hard copy and digital. There are apps and sites galore to help teachers find texts. There are news outlets, story sites, like This American Life, Storycorp, The Moth, Radiolab, etc. to explore, to name a few. It would take a lifetime to read or listen to all the infinite stories. Sites like Artifact App and CommonLit help educators ask the essential questions to guide reading, too. And there are still libraries, with real librarians, who love nothing more than to talk and share ideas about texts. But that involves getting out of my bathrobe and the house. Hmmm. Tough call. (Oh, like you’ve never hung out in your robe until 1PM on summer break!)

 

Artifact App
Artifact App

 

So what are we teachers looking for when we ask others about text suggestions? We’re looking the same things as when we recommend books to other adults. We want something relevant, that may speak to us, that we can find some universal truth, or help us connect. And this is where the digital dopamine can’t help us: texts, be they on the screen or paper, give us a much more powerful sensation than digital ones. Helping students understand these important brain functions will help them understand when a person hurts them on line, it feels real because our brains don’t know the difference. We want to share stories, and that drive gives me hope, for my students, and for myself.

McGuire writes:

I am reading books now more than I have in years. I have more energy, and more focus than I’ve had for ages. I have not fully conquered my digital dopamine addiction, though, but it’s getting there. I think reading books is helping me retrain my mind for focus.

While on the hunt for great texts, I plan on using my powers of digital organization and keep track, make a list, and add notes. But for the moment, I’m just going to make a sandwich.