Posted on

Creativity as a commodity…

Biscuits

Here’s my burning question of the day, and of my life: Can anyone be creative? It has always been my belief that yes, anyone can be creative. What do you think?

First, I think we need to think about what is your definition of creativity. It’s kind of like your definition for what you find beautiful, painful (emotionally anyway: I think we can all agree that anything that involves blood or bruising is physically painful), or interesting. Creativity comes from inspiration, from thinking, from connections, and I must say–admiration of others’ creativity. Is that mental or artistic stealing? Only if you claim the idea as your own. Would you want others to take your flashes of genius and steal them from you? (I didn’t think so.)

Moving forward – you’ve now defined what creativity means to you. Do you think you have some? How do you know? If not, why not? Creativity is another form of curiosity, of inquisitiveness, and we all know curiosity killed the cat. If you’re not a cat, you have nothing to worry about. The point is to ask questions…and then seek answers that may satisfy.

Where some of my frustration sets in is when I get jealous of other people’s creativity and their successes that go along with it – the great book that someone else wrote, the breathtaking painting that someone else produced, the movie script that is the funniest thing I’ve ever seen. I think, actually, a lot of us get frustrated that we’re not rich and famous due to our creativity, so we give up, and settle for mediocrity and boring routines. If you feel yourself mentally flatlining, shake things up! Find out why others created what they did, and find your own spark. Creativity builds on connections.

I believe we all have a level of creativity to share, simply because we are all individuals that take up our own space, time, and energy. And I guarantee you, you do. Prove it to yourself.

Posted on

You’ve got style, babe…

You know, my Washingtonian darlings, you won’t start school until Monday, August 31. And you will complain, although I have it on good authority you’re actually excited to be back. It’s okay. You don’t have to tell me.

Anyway, one of my favorite cousin’s sons has already started ninth grade English. I’m not sure if he’s in honors or not, but my cousin asked me if I could help him with an assignment. Apparently, his class is reading Alas, Babylon and Lord of the Flies. I have never read Alas, alas, but I am fascinated and fond of Lord of the Flies.

Lord of the Flies by William Golding
Lord of the Flies by William Golding

He asked me to help him develop questions based on stylistic elements of literature. Um, yeah. That was kind of like asking me to pull apart the richness of a thick, gooey, chocolate cake with chocolate chips, chocolate frosting, and a side of chocolate–LOTF is so rich with symbolism, motifs, allusions, allegory, foreshadowing and all-around awesomeness of writing, it’s almost impossible to pull it all apart–but not totally. This is the challenge of discussing amazing literature–novels, short stories, poetry–all deep and interesting texts that connect us as humans. Lord shows us that we, in our deepest hearts, can be cruel, savage, and bloodthirsty bullies. It also shows us that evil may take many forms, but it can be fought: when it’s left unchecked, our society and connections fall apart.

Oops. This wasn’t about me writing a thesis paper on Lord of the Flies. It was about finding and understanding literary terms, so you can apprecitate, understand, and desire reading:

Fairly comprehensive glossaries of literature terminogy: http://classiclit.about.com/od/literaryterms/Glossary_Terms.htm

http://www.virtualsalt.com/litterms.htm

Embrace your literary style.

Ooo-ooo– another literary terms website that, well, rocks: http://www.tnellen.com/cybereng/lit_terms/

Posted on

Don’t Irritate Your Readers…

Frank Conroy:  He directed the Iowa Writers’ Workshop for 18 years. He once scolded a student for using irrelevant details in her short story.

 He said: “The author makes a tacit deal with the reader. You hand them a backpack. You ask them to place certain things in it — to remember, to keep in mind — as they make their way up the hill. If you hand them a yellow Volkswagen and they have to haul this to the top of the mountain — to the end of the story — and they find that this Volkswagen has nothing whatsoever to do with your story, you’re going to have a very irritated reader on your hands.”

Posted on

Shakespeare As Editor…

This article is from Visual Thesaurus, one of my favorite websites, (although to get the full impact, it’s not free, which is a bummer).

 

Shakespeare’s Five Best Copywriting Tips

Almost 400 years after the death of William Shakespeare, theaters still regularly perform his plays, children study his work in school and we are still moved by the complexity of his stories and the beauty of his language. But what’s less well known is that Shakespeare also provided superb advice for copywriters and corporate communicators. Here are five of his best tips:

1. On brevity

“Since brevity is the soul of wit and tediousness the limbs and outward flourishes, I will be brief.”

“You cram these words into mine ears against the stomach of my sense.”

As a poet, Will understood the value of being succinct. And if this quality was important in 1595, just imagine how crucial it is today. Elizabethans didn’t have to deal with the telephone, television or the Internet. Servants did the cooking and household maintenance and there were no traffic jams when you commuted by horseback. In 2007, however, our society produces hundreds of thousands of words every day and yet we have less time to read than ever before. Will had to face the Plague, but we have to deal with the Blackberry. Take pity on your readers. Be brief.

2. On how difficult it is to find just the right word or phrase

“They have been at a great feast of languages, and stolen the scraps.”

In corporate- and copy-writing, it’s all too easy to slip into cliches and jargon. When everyone around you says things like “walk the talk” and uses words such as “right-sizing” you’ll start writing like that too. Fact is, we swim in a cesspool of boring, unimaginative language. It takes work — and commitment — to find the best words and turns of phrase. (Note: the best words are often the shortest, most concrete ones.)

3. On the importance of reading

“My library was dukedom large enough.”

Like all great scribes, Will understood that to write well, you have to read well. This means reading more than your professional journal and daily newspaper. Read fiction; it will inspire you. Read outside your field of employment to gain breadth. Read essays and other forms of persuasive writing. While Will kept up with Christopher Marlowe, you may prefer Christopher Buckley. But read. It is a lifelong apprenticeship in the craft of writing.

4. On interviewing clients or co-workers for brochures or employee publications

“Have more than thou showest; speak less than thou knowest.” “Give every man thy ear, but few thy voice.”

Much writing depends on interviewing. Through interviews you collect the stories, anecdotes and metaphors that help your writing come to life. But too often writers try to put words in their subject’s mouths. They go into the interview with preconceived notions and ask boring, ho-hum questions. Savvy writers, on the other hand, ask pithy questions — designed to extract anecdotes and feelings from their subjects — and then keep quiet. As a student of human nature, Will knew what our mothers are always telling us: We have two ears and one mouth to remind us that we should listen twice as much as we talk.

5. On writing about what matters

“Words, words, mere words, no matter from the heart.”

No effective communications plan in the history of humankind ever hinged on finding “just the right phrase.” True, a good plan or product may be helped by good words. Maybe even helped a lot. But words alone will not save a bad one. If you’re trying to communicate a company’s belief in safety, for example, exhorting employees to act safely is not enough. Instead, you need policies and procedures in place that constantly demonstrate the company’s commitment. Without this, you have what we today call a “disconnect.” But I think Will said it better: “I did never know so full a voice issue from so empty a heart: but the saying is true ‘The empty vessel makes the greatest sound.'”

I really like #5 – write about what matters to you. No matter what cold prompt you’re served, make it your own, and you will find success in your writing. And remember, your writing is your voice.

Posted on

Got Imagination?

http://www.amazon.com/How-Be-Explorer-World-Portable/dp/0399534601

 You know me. I like to be creative. Think. Make art. Write. Read. I really appreciate what Keri Smith put together in her book about exploration.

For example, on page 144-145, she writes:

Thought Experiments: Einstein used “thought experiments” (questions that can only be solved using imagination), on a regular basis. He actually formulated the special theory of relativity by asking the question, ‘what would it be like to travel on a beam of light?’ It is interesting to conduct these thought experiments in the midst of everyday life.

Some thought experiment starters:

  • what if all my neighbors had secret lives?
  • what if the newspaper held all the secrets of the universe in some kind of code?
  • what if all leaves had secret messages embedded on them?
  • what if little elves lived on the roof and only came out at night?
  • what if my house were a playgroun? a blank canvas? had secret powers?